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Art Jakarta

雅加達國際展覽中心(Kemayoran, Jakarta Pusat 10620)

展期:2024/10/05 - 10/06

VIP 預展日:2024/10/04

展位:A 22

展出藝術家:范妮·布羅達爾、謝高元、克莉絲汀娜‧贊波

Art Jakarta

Venue:Jakarta International Expo (Kemayoran, Jakarta Pusat 10620)

Date:2024/10/05 - 10/06

VIP Preview:2024/10/04

Booth:A 22

Artists:Fanny Brodar, James Hsieh, Christina Zimpel

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" Galactic Juicy Fruit"

2024

Oil and oil stick on canvas

170 x 280 cm

Fanny Brodar的藝術作品融合了1970年代的懷舊情懷和2000年代的活力,巧妙地將童年回憶、當代流行文化元素和對未來的幻想巧妙交織,編織出一幅引人入勝、迷人神秘的作品,激發觀者對童年記憶的回朔。

 

Fanny Brodar的作品承載了她童年時期經歷的創傷以及成年後內心所抱持的情感。多年來,她深刻體悟到,腦海中留存最深刻的不是電視節目的細節或童年經歷,而是伴隨著幻似真實的記憶碎片所帶來的感受。

 

以藝術家童年的卡通圖像作起點,Brodar將童年複雜情感和懷舊情懷融合,以拼貼般的手法繪製在畫布中。這些記憶中碎片與觀者產生共鳴,想起童年的點滴。

Fanny Brodar's art is a captivating fusion of the evocative 1970s and the dynamic essence of the 2000s. In her work, she skillfully intertwines fragments of cherished childhood memories, elements of contemporary pop culture, and visionary glimpses into the future, weaving an animated tapestry that intrigues and enchants. Her unique artistic language involves a brilliant interplay of vibrant colors, child-like marks, and whimsical scribbled words, effortlessly drawing viewers into a realm of nostalgia while provoking contemplation about the elusive line between reality and imagination.

At the heart of Fanny's art lies her endearing muppet-like characters, stemming from her personal journey to escape the traumas of her childhood. Each character embodies a kaleidoscope of emotions, mirroring the complexities of children navigating their inner worlds. Deeply inspired by child psychology, Fanny delves into profound themes, thoughtfully exploring the universal inclination of adults to conceal past hardships, cherishing memories that evoke joy and solace as a means of coping and growth.

Fanny Brodar's masterpieces transport spectators to an enchanting and magical world, reminiscent of her childhood bedroom that transformed effortlessly at her whims. Within her canvases, she deftly taps into viewers' reservoirs of nostalgic sentiments, skillfully employing a vibrant palette that seamlessly melds radiant hues with contrasting shadows, enhanced by the presence of enchanting cartoonish characters. This artistic alchemy creates an emotional tension that resonates deeply within her audience, forging an enduring connection with each unique piece.

In conclusion, Fanny Brodar’s extraordinary artistry reflects her profound journey as an illustrator, infused with a mesmerizing blend of influences from playful Japanese art and Rose Wylie's ingenuity. Her captivating muppet-like characters serve as conduits for a myriad of emotions, offering a glimpse into her personal odyssey from a traumatic past. With a profound understanding of the human psyche, Fanny deftly explores the resilience of human memory, artfully navigating the delicate balance between hardships and cherished recollections. Her faux naïf paintings open portals to an imaginative realm, captivating viewers with a delightful and emotional experience while prompting contemplation about the enigmatic realm of imagination and its intertwining with reality.

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" New York State of Mind"

2024

Tapestry

116.8 x 134.6 x 2.5 cm

James Hsieh, 2015年到紐約延續藝術創作的學習,與紐約的生活碰撞,迸發了他大量創作的靈感。「紐約的白天是目不暇給的競爭,而在夜晚,我常常夢見童年時在阿嬤家菜園裡的情景。」夢境,成為他創作的源泉

James Hsieh, who embarked on his artistic journey in New York in 2015, found inspiration from the collision of life in the city. "New York's daytime is a relentless competition, but at night, I often dream of scenes from my childhood in my grandma's garden," he said. These dreams became the wellspring of his creativity.

" Helmet"

2024

Acrylic on linen

40.5 x 31 cm

克莉絲汀娜‧贊波繪畫中反覆出現將頭髮高高盤起的大眼女孩。這些女孩象徵美國 50 年代在海報或是報章雜誌上的性感模特兒,即所謂的「海報女郎」( Pin-up girl)。透過流行文化中美麗女孩的主題,令人聯想到後印象派法國藝術家羅德列克(Toulouse-Lautrec,1864-1901),將供人觀賞的女郎們作為繆思,闡述屬於個別時代的特有風景。贊波利用強烈對比的顏色並簡潔的分割形狀,兩者相互輝映下,令畫面深刻人心。贊波的作品回應道成長時期, 她的作品回應了 60-70 年代美國華麗龐克的流行,以及引響他很深的野獸派。贊波筆下的女孩們不屬於任何時代,她們屬於每個人心中共同記憶中的美麗象徵。

Christina Zimpel's paintings feature a recurring motif of big-eyed girls with their hair piled high. These girls symbolize the pin-up girls from 1950s America, as seen in posters and newspapers, reminiscent of the art of Toulouse-Lautrec (1864-1901). Zimpel skillfully employs striking contrasting colors and simplistic shapes to craft a powerful interplay that elicits profound emotions in the viewer, reminiscent of the popular 60s glam punk movement that dominated her formative years.Her girls transcend any specific era; they represent a beautiful symbol from the collective memory of each individual.

Installation View
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