「繪畫作為裝置」與「筆觸作為雕塑」的雙重轉譯，揭示了藝術家們如何以跨媒材的方式，重構平面與立體的關係，並引領觀者進入一場介於視覺、材質與空間之間的對話。這不是一場讓人靜靜站在白牆前點頭稱是的展覽，這是一場讓觀者身體先一步被色彩攻陷的現場。

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This exhibition focuses on the dual transformation of painting as installation and brushstroke as sculpture, highlighting how each artist reconfigures the relationship between two-dimensional and three-dimensional forms. The result is not a show for passive observation in front of white walls—it is a space where color invades the viewer’s body before thought can even begin.