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台北國際藝術博覽會

​地點:台北世界貿易中心-展演一館

公眾展期:
2024/10/25  14:00-19:00
2024/10/26  11:00-19:00
2024/10/27  11:00-19:00
2024/10/28  11:00-18:00

尊榮貴賓預展日:2024/10/24 12:00-15:00

貴賓預展日:
2024/10/24 15:00 - 21:00
2024/10/25 11:00 - 14:00

展位:H14

展出藝術家:范妮·布羅達爾 、埃爾科・希爾格森、金潣攢

Art Taipei

Venue:Taipei World Trade Center Exhibition Hall 1

Public Date:
2024/10/25 (Fri.) 14:00-19:00
2024/10/26 (Sat.) 11:00-19:00
2024/10/27 (Sun.) 11:00-19:00
2024/10/28 (Mon.) 11:00-18:00

SVIP Preview:2024/10/24 12:00-15:00

VIP Preview:
2024/10/24 15:00 - 21:00
2024/10/25 11:00 - 14:00

Booth:H14

Artists:Fanny Brodar, Eelco Hilgersom, Minchan Kim

" Pollinator"

2024

acrylic, propolis , spray paint, glitter and oil and oil bar on canvas

170 x 190 cm

Fanny Brodar的藝術作品融合了1970年代的懷舊情懷和2000年代的活力,巧妙地將童年回憶、當代流行文化元素和對未來的幻想巧妙交織,編織出一幅引人入勝、迷人神秘的作品,激發觀者對童年記憶的回朔。

 

Fanny Brodar的作品承載了她童年時期經歷的創傷以及成年後內心所抱持的情感。多年來,她深刻體悟到,腦海中留存最深刻的不是電視節目的細節或童年經歷,而是伴隨著幻似真實的記憶碎片所帶來的感受。

 

以藝術家童年的卡通圖像作起點,Brodar將童年複雜情感和懷舊情懷融合,以拼貼般的手法繪製在畫布中。這些記憶中碎片與觀者產生共鳴,想起童年的點滴。

Fanny Brodar's art is a captivating fusion of the evocative 1970s and the dynamic essence of the 2000s. In her work, she skillfully intertwines fragments of cherished childhood memories, elements of contemporary pop culture, and visionary glimpses into the future, weaving an animated tapestry that intrigues and enchants. Her unique artistic language involves a brilliant interplay of vibrant colors, child-like marks, and whimsical scribbled words, effortlessly drawing viewers into a realm of nostalgia while provoking contemplation about the elusive line between reality and imagination.

At the heart of Fanny's art lies her endearing muppet-like characters, stemming from her personal journey to escape the traumas of her childhood. Each character embodies a kaleidoscope of emotions, mirroring the complexities of children navigating their inner worlds. Deeply inspired by child psychology, Fanny delves into profound themes, thoughtfully exploring the universal inclination of adults to conceal past hardships, cherishing memories that evoke joy and solace as a means of coping and growth.

Fanny Brodar's masterpieces transport spectators to an enchanting and magical world, reminiscent of her childhood bedroom that transformed effortlessly at her whims. Within her canvases, she deftly taps into viewers' reservoirs of nostalgic sentiments, skillfully employing a vibrant palette that seamlessly melds radiant hues with contrasting shadows, enhanced by the presence of enchanting cartoonish characters. This artistic alchemy creates an emotional tension that resonates deeply within her audience, forging an enduring connection with each unique piece.

In conclusion, Fanny Brodar’s extraordinary artistry reflects her profound journey as an illustrator, infused with a mesmerizing blend of influences from playful Japanese art and Rose Wylie's ingenuity. Her captivating muppet-like characters serve as conduits for a myriad of emotions, offering a glimpse into her personal odyssey from a traumatic past. With a profound understanding of the human psyche, Fanny deftly explores the resilience of human memory, artfully navigating the delicate balance between hardships and cherished recollections. Her faux naïf paintings open portals to an imaginative realm, captivating viewers with a delightful and emotional experience while prompting contemplation about the enigmatic realm of imagination and its intertwining with reality.

" Juicy (champagne)"

2024

Galsses

51 x 81 x 19 cm

埃爾科‧漢格森(Eelco Hilgerson, Netherland, 1979) 的創作分為兩個系列。第一個系列為他最廣為人知的 Habitat 系列,將微生物的形體放大且簡化後,利用切割後的太陽眼鏡鏡片,以鱗片的排列方式,模擬生物的生命樣態,並且絢麗的色彩表現了在自然中,生物的防衛機制。第二個為 Bloodline 系列,以真菌做啟發,生活在歐陸的 Hilgerson 時常在森林中看到歐洲特有的血齒菌,將對此種菌類的細膩觀察,放大成作品。除了搶眼的色彩,在仔細觀看中,觀者將會被 Hilgerson 細膩的手法吸引,並對當代藝術有不同的理解。

Eelco Hilgerson (Netherlands, 1979) presents two series in his creations. The first series, his widely known "Habitat" series, magnifies and simplifies the forms of microorganisms. Using cut-out sunglass lenses arranged in a scale-like manner, Hilgerson simulates the life patterns of organisms, vividly portraying their defense mechanisms in nature through brilliant colors. The second series, "Bloodline," draws inspiration from fungi. Living in Europe, Hilgerson often encounters the unique blood tooth fungus in forests, which he magnifies into artworks based on his delicate observations of this fungal species. Apart from their eye-catching colors, Hilgerson's meticulous techniques captivate viewers, offering them a different understanding of contemporary art.

" A Fundamental Wav"

2024

Acrylic and Mixtures

160 x 170 cm

經由長時間反覆的嘗試,藝術家金潣攢利用顏色傳達他對空間的想像與描寫。將畫筆與筆觸立體化,濃厚的顏料在觀者面前呈現了三維的空間表述,被藝術家賦予生命與力度。將藝術純粹化,金潣攢的作品思考著藝術的本質,脫離了時空與文化隔閡,以直接的語言,衝擊著視覺。

A lot of time has passed due to trial and error. Initially, a spatial change was made by overlapping monotonous colors. However, the emptiness of color remained. I pondered about the harmony between space and color. How can I vividly and three-dimensionally implement living lines? Every brush has its own characteristics and internal reasons. Breathing stops at the moment the brush is drawn. At the same time, everyone disappears. During that time, there is no past, no future, only the moment exists. What I obtained was finally reborn as a painting language.

展出作品圖錄|Exhibited Artworks Catalog

Installation View

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